Cello Archives - Violin Shop Talk https://violinshoptalk.com/category/instruments/cello/ Life Lessons for Luthiers and Musicians Sat, 01 Jul 2023 18:16:03 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 188177060 DON’T PRACTICE TO BE PERFECT https://violinshoptalk.com/dont-practice-to-be-perfect/?utm_source=rss&utm_medium=rss&utm_campaign=dont-practice-to-be-perfect https://violinshoptalk.com/dont-practice-to-be-perfect/#respond Tue, 06 Jul 2021 14:20:25 +0000 http://violinshoptalk.com/?p=473   I am an advocate of practicing so that you can ENJOY playing a piece. Practice makes perfect is  something we constantly hear and strive towards as string players, but it can be a source of incredible stress as well.  Why?   Because mistakes happen. A string will break. Your bow Continue Reading

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I am an advocate of practicing so that you can ENJOY playing a piece. Practice makes perfect is  something we constantly hear and strive towards as string players, but it can be a source of incredible stress as well. 

Why?  

Because mistakes happen. A string will break. Your bow will break. The room will be so cold that you  can’t feel your fingers, or it will be so hot that your instrument slips from your sweaty palms. You will  forget a note. You will go sharp. You will go flat. You will forget your music. Forget your place. Maybe  even forget your name.  

That doesn’t mean it will happen every time, but it will happen. And when it does, you need to not let it  freak you out in the future. The best you can do is practice, prepare, be reasonable, and don’t forget to  forgive yourself if something unexpected happens. 

PRACTICE  

• Set time aside each day to play without distractions. Turn off the TV and set your ringer to silent. • Make sure you tune. I like to use the TE Tuner app set to fine tuning and saw wave. • I like to play one “fun” song to loosen up before I get down to business. 

• Start (or continue) your practice session with at least 15 minutes of scales. 

• Practice slowly in the beginning. My teacher and I always mark out small passages that are tricky  and require more attention. 

• I cannot stress how wonderful a good teacher is in helping with fingerings and phrasing. • Practice with a metronome to instill muscle memory. 

PREPARE 

Some things are inevitable when you begin competitions or auditioning, but preparation can help. An  extra set of strings, a second bow and a tuner are important. But here are some other common issues. 

Playing too fast– When you perform, your nerves will get to you. This means that your heart will  start to beat faster, and your playing will follow suite. This is why practicing with a metronome is  so important. It helps instill muscle memory. 

Distraction – Practice in whatever shoes and clothing you will perform in until you get used to it. You don’t want to be distracted by things you aren’t used to wearing. Also, make sure you eat  (don’t overeat), drink and go to the restroom before you perform. 

Tight playing –Another common stress response of the body, is constricted blood flow to the  fingers. Yes, the body betrays string players when under stress. To help prevent this, make sure  to stretch before you play and if you know it will be a cold room, you might want to consider  wearing gloves beforehand. 

BE REASONABLE  

One of the worst feelings is knowing that you should have practiced more. On the flip side of that, driving  yourself crazy (in search of perfection) until you loathe the piece or worse, your instrument, is not a great  feeling either. • Remember, if you are enjoy performing a piece, your audience will enjoy listening. • Try positive affirmation. Say “I’ve practiced, I’ve prepared, and I’m ready to do my best now”  before you perform. I find it more soothing than the “Don’t screw up. Don’t screw up. Don’t screw  up.” mantra that initializes panic mode in my brain.

• If something unfavorable does happen, remember that every performing musician alive has  experienced some of those same things. Forgive yourself. 

In Cellos We Trust – Matrick Thorpe

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Guilty Secrets https://violinshoptalk.com/guilty-secrets/?utm_source=rss&utm_medium=rss&utm_campaign=guilty-secrets https://violinshoptalk.com/guilty-secrets/#respond Thu, 04 Feb 2021 12:33:49 +0000 https://violinshoptalk.com/?p=328 Secrets.  Every parent has at least one secret moment of “I should have” or “Bugger it all, why didn’t I?”. Many parents could drown in a sea of regrets if they aren’t careful.  I know I could. But when it comes to music, I don’t have just moments.  My kid’s Continue Reading

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Secrets. 

Every parent has at least one secret moment of “I should have” or “Bugger it all, why didn’t I?”. Many parents could drown in a sea of regrets if they aren’t careful. 

I know I could. But when it comes to music, I don’t have just moments. 

My kid’s a cellist. So, I also have a song. 

Secrets by One Republic. 

Let me explain.  

When my son was three, I took him to see The Sorcerer’s Apprentice. It was a fun urban fantasy homage  to the original Disney short from Fantasia (which he dearly loved) full of magic, so it was no surprise that  he enjoyed it. We both did. 

A few months later, we were in an elevator when he started imitating lightning shooting out of his  fingers, babbling incessantly about being a sorcerer’s apprentice. I thought it was cute but dismissed it.  Like I said, he really enjoyed the movie. 

It wasn’t until many months later when we bought the DVD and he watched it, in the way that only  small children can (over and over again relentlessly), that I remembered the elevator scene.  

He hadn’t just randomly chosen that moment to pretend. He heard the song Secrets, a featured song  from the movie, playing in the elevator. It inspired his rhythms, his impromptu choreography, while he  sang. 

I realize this sounds unimpressive.  

But Secrets wasn’t released in the US until four months after The Sorcerer’s Apprentice premiered. So, at  three (struggling to work on his ABCs), he had replicated every beat of a song months after hearing it.  Months after I had forgotten its very existence, as he clamored around the elevator smiting invisible  foes.  

Intrigued, I started remembering other times where he heard bits of music and said, “This is (insert  random tv/movie scene)”. I began googling them. I spent all night doing it.  

No seriously. I’m an insomniac. It was all night. 

In every instance that I could recollect, he had been right. He clearly had deep love and  memory/aptitude for music. 

I also clearly remember thinking, “Wow, that’s pretty cool”. 

If this was a movie, I would have promptly taken him to a music store. An inspiring musical montage  would start playing (perhaps fittingly to Secrets) to scenes of him selecting an instrument. practicing  with various tutors. experiencing small victories and moments for growth. I would have been 

instrumental (see what I did there?) in leading him down a path of musical glory, always believing in  him. 

But this is not a movie, and I did nothing to encourage him. 

I suck. 

The truth is, my kid took it upon himself to approach the music director at his school when he was ten and expressed to him an interest in learning cello. While he was encouraged to join orchestra in 6th grade, my son apparently found these terms to be unacceptable. 

I don’t actually know the specifics of the conversation. I just know that he insisted on learning sooner, and that his (future) teacher relented.  

I know this because, a book and loaner cello were sent home, and recesses were sacrificed so that he  could attend the older kid’s classes. 

His first steps on his musical path did not happen because of me, they began firmly of his own volition. That was a little over three and half years ago. 

Fast forward to any number of string camps or competitions where I am talking to other parents about  our respective kids. To those moments when I was first inducted into this weird society of classical kids  and the people that drive them places and pay for their classical stuff. If you could have seen me in the  beginning, you would have seen a woman completely out of her league. 

I remember the strange mix of envy and awe, as I listened to their carefully cultivated plans for a future,  their extensive practice schedules and their current repertoire plans for their children.  

I remember the unhealthy dose of being overwhelmed. 

But mostly I remember the guilt I felt… and still do. 

Logistically speaking, my kid is at a distinct disadvantage when playing with his music intensive peers.  The truth is. they often have six or more years of technical training. Those years can really make a  difference. They just do. 

So now my brain has its own PowerPoint of failures, all of them titled “Oh No!”. 

  • I should have gotten him a private tutor as soon as he expressed an interest in an instrument.  On that note, I should have actually purchased/rented him an instrument right away. I should have learned an instrument myself. 
  • I should have made him wake up earlier every day to practice. 
  • I should have had him on a strict repertoire program. 
  • I should have taken him to every live classical performance possible. 
  • I should have had him listening to Classical music every day, not just the bits he was getting from  watching Little Einsteins. 
  • I should be able to name a major piece from every Classical composer (instead of having wasted  my time curating an obscure music list.) 
  • I should have enrolled him into more classes.
  • I should have been taking detailed notes during every private cello lesson. 
  • I should have been researching musical colleges and programs as soon as he showed a talent for  them. 

That list is but the tip of the musical iceberg,  

I am terrified of the things I don’t do. The things I don’t know that might screw up my kid’s musical  future. 

My rational brain realizes that it’s not really reasonable to spin out over the things I didn’t do. And while  a lot of them are great ideas (and I am partially implementing a few of them now), perhaps if I had  started them when he was three (like many do), maybe he would have burned out in interest or grown  to resent me/the cello/everything musical if I had. 

Honestly, he still might. 

I don’t know. 

I can’t learn for him, practice for him or plan his future for him.  

I can help him plan. 

I can encourage and support him. 

But once he leaves the proverbial nest, it will be HIS future. And that is something I see a lot of parents  struggling with. I think it’s a trap that is all too easy to fall into. A struggle that is true for anything a  beloved child pursues, and a parent supports. 

I don’t know how far his music will take him; all I can do is my best in trying to help him navigate the  weird, wonderful world that we live in. 

I hope he grows up to be happy and healthy.  

I hope he can afford medical care for the times when he’s not. 

Stop worrying about being a perfect parent. They don’t exist. You need to give yourself a break. 

Don’t beat yourself up over the things you didn’t do. Just acknowledge them and try to move on.  Because if you don’t, if you can’t stop reliving your past mistakes… 

You might miss out on what’s happening in the now. 

The now for Matrick is a focus on classical study with a broader pursuit of pop music. He can even play  Secrets on his cello and it’s beautiful. Almost as beautiful as the way his face lights up when he gets lost  in the music. 

And that’s the really important thing.  

Don’t get lost in your mistakes. 

If you’re lucky enough to have a musician in the family… 

Get lost in the music.

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Parental Practice Tips https://violinshoptalk.com/parental-practice-tips-for-aspiring-musicians/?utm_source=rss&utm_medium=rss&utm_campaign=parental-practice-tips-for-aspiring-musicians https://violinshoptalk.com/parental-practice-tips-for-aspiring-musicians/#respond Tue, 02 Feb 2021 12:01:17 +0000 https://violinshoptalk.com/?p=304 As a parent of an aspiring musician, I think about parental practice tips all of the time. How do I keep my child engaged in the learning process? There are a couple caveats that you should be aware of when helping to cultivate their skill-sets. Some of the parental practice Continue Reading

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As a parent of an aspiring musician, I think about parental practice tips all of the time. How do I keep my child engaged in the learning process? There are a couple caveats that you should be aware of when helping to cultivate their skill-sets. Some of the parental practice tips for aspiring musicians I have learned along the way include:

  • Aspiring musicians enjoy audiences
  • Appreciation for their hard work
  • Understanding their play styles and discussions about their hobby
  • Videoing them when playing when they are ready
  • Feedback on progress
  • They enjoy your company

Parental Practice Tips – Experience with an Aspiring Musician

Firstly, as a parent of an aspiring musician, there are a couple caveats that you should be aware of when helping to cultivate their skill-sets. I am not a musician so these elements were and parental practice tips were actually developed because I am not a musician. It’s a spectator sport for me.  My son is a cellist, and he likes me to be in the same room with him while he practices.  I’ve asked why, and he’s shared several different answers over the years.  That’s right, people, I have the skillset of a tripod, and let me reiterate… I am not a musician and I am a poor choice for actual constructive feedback however these are the six key points that I have discovered over the years of our musical relationship that have helped me find joy in the music and in our relationship.
 
 

Aspiring Musicians Enjoy an Audience.

Next, encouragement and confidence building is an incredibly valuable contribution that you can make as a parent that does not cost much money or require tremendous effort on your part.  Most musicians relish the opportunity to perform music for an audience, they are fed by the energy of the audience and live for standing ovations.

For many aspiring musicians, their musical journey begins at home – and these parental practice tips help make them thrive. They may start by learning to play an instrument or experimenting with their voice, and it is within the comfort and familiarity of their family environment that they gain confidence and develop their skills. Parents often become the first listeners and witnesses to their child’s musical progress.

When a young musician shares their music with their parents, it can be a deeply meaningful experience. Parents, being the closest and most supportive figures in their lives, provide a safe and nurturing space for the budding musician to express themselves. Whether it’s singing a song, playing an instrument, or even composing their own music, parents are often the first to witness and appreciate their child’s creative journey.

Appreciation Goes a Long Way for Aspiring Musicians

From there, sometimes the progress is slow as there are so many factors that go into playing even a simple piece of music. By just paying attention to his dedication and hard work you are rewarding him with your presence. 

Aspiring musicians pour their heart and soul into their music. They spend countless hours practicing, honing their skills, and exploring their creative abilities. In this journey of self-expression, validation and appreciation from their parents can have a profound impact on their motivation and confidence.

When parents express genuine appreciation for their child’s musical endeavors, it creates a positive feedback loop. It reaffirms the musician’s belief in their own abilities and serves as a source of inspiration to continue their musical journey. It instills a sense of pride and accomplishment, which can be a powerful driving force for their continued growth and dedication.

Parental Practice Tips – Aspiring Musicians Love to Teach

Overall, teaching you what he has learned helps reinforce the progress that he has made and helps to develop a foundation on which to build his musical repertoire.

Aspiring musicians often have a strong desire to teach their parents about their musical hobby. Sharing their knowledge and passion with their parents not only allows them to deepen their connection but also helps their parents gain a deeper appreciation and understanding of their musical journey.

Music is a powerful form of self-expression, and aspiring musicians often feel a strong urge to communicate their emotions and experiences through their art. Teaching their parents about their hobby becomes a way to invite them into their creative world, allowing them to understand the depth and significance of their musical pursuits.

Parental Practice Tips – Video Recording Helps Feedback

Equally important is videoing – even if you only have the skill set of a tripod it’s enough to satisfy this one, better yet share the videos with family and friends, if appropriate, and they will also be a great feedback mechanism for positive reinforcement. Always ask for permission before sharing these videos just to make sure that they are ok with it. Sometimes a musician does not want the work released until they have perfected certain aspects of its performance.  

Thus, video recording performances provides aspiring musicians with an opportunity to critically evaluate their own abilities. By watching themselves play an instrument, sing, or perform, they can observe their technique, stage presence, and overall musicality. This self-reflection helps them identify areas for improvement and make necessary adjustments to their performance style.

Parents can play a pivotal role in this process. By recording their child’s performances, parents provide them with a platform to review and analyze their musical abilities objectively. They can capture both the strengths and weaknesses of the performance, allowing the aspiring musician to gain a clearer understanding of their progress and areas that require attention. Parents can offer valuable insights and observations, helping their child recognize patterns, correct mistakes, and refine their musical skills.

Aspiring Musicians Need Parental Feedback

Be honest and kind at the same time, offer suggestions as to what you enjoyed and what you think could be improved, always compliment more than you critique, be honest yet kind and nurturing. 

Constructive feedback from parents can help aspiring musicians identify areas for improvement. Parents, being familiar with their child’s musical journey, can offer specific observations and suggestions. They may comment on technical aspects, interpretation, dynamics, or expression, providing valuable insights to enhance the musician’s performance. This feedback helps the aspiring musician develop a critical ear and refine their skills to reach higher levels of proficiency.

Aspiring musicians need consistent feedback loops to progress and become better, Every aspect of the musical journey is a way to enhance the cognitive capabilities of your child, teen, or young adult

Aspiring Musicians Enjoy Parental Company

At the end of the day this is the most important dynamic to me, kids grow up so fast and having this memory of our time together will be both of ours to keep long after the practice or concert is over.

I don’t know which of the above points is most valuable but I suspect they are all important.  

He could just be messing with me though he’s thirteen, so anything is possible and to be honest I’m pretty sure to him it’s more like

Practicing music together can also foster a sense of teamwork and collaboration between the aspiring musician and their parents. They can engage in discussions about musical interpretation, technique, or even song selection. This collaborative approach creates an atmosphere of shared learning and mutual respect, where both parties can contribute their insights and perspectives.

 “If I have to suffer through these scales lady, so do you”. 

I think I could write entire chapters about the listening woes of thumb positions gone bad.  It’s the nails on the chalkboard kind of bad. I wonder when/if Bass families have similar internal moments of trying to smile encouragingly while your brain is screaming “Please make it stop”?  This is exactly why I need to remember the six key points of practice as parents that are listed above. Keep practicing, parenting and keep the music playing. Hopefully these parental practice tips help with your child’s musical journey!

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12 things to look for when buying an antique violin https://violinshoptalk.com/12-things-when-buying-an-antique-violin/?utm_source=rss&utm_medium=rss&utm_campaign=12-things-when-buying-an-antique-violin https://violinshoptalk.com/12-things-when-buying-an-antique-violin/#respond Mon, 01 Feb 2021 23:32:04 +0000 https://violinshoptalk.com/?p=290 The allure of an old violin is something that resonates with all string players, and there are 12 things to look for when buying an antique violin. Who may have played it, where has it travelled, how many notes have been played on it, how many generations has it been Continue Reading

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The allure of an old violin is something that resonates with all string players, and there are 12 things to look for when buying an antique violin. Who may have played it, where has it travelled, how many notes have been played on it, how many generations has it been passed down and what could it possibly be worth? Antique violins can be worth millions of dollars although that is rare, it is more likely that they will require extensive ongoing repairs in order to keep them in good playing condition.  The attribution, sound and condition are the key factors to keep in mind when shopping for an antique violin. What are the 12 things to look for?

  1. Cracks or issues with the violin
  2. Look of the violin
  3. Check the finger board alignment
  4. Look at other attributes like bridge and tail piece
  5. Check the pegs
  6. Is the violin overall clean?
  7. How does the violin sound?
  8. Check the violin strings
  9. Does the violin come with a bow?
  10. Does it come with a case?
  11. Does the violin have any markings or certificates of authenticity?

It is tempting to think that since you have a friend, family member or colleague that has an old violin laying around that they are willing to part with or sell you for cheap that this will be a good deal or that it is fate that you get this violin. Sometimes it can work in your favor but more often there is a reason that a violin remains silent and is in need of repair.   Where should you go for advice, who do you trust and who can help you determine if this old violin is worth the effort and expense.  Sometimes you can get a great deal and knowing what to look for improves your chances of realizing that possibility.  Below are some key points to ponder when considering the purchase or restoration of an antique violin.

Here are the 12 Things to Look For When Buying an Antique Violin

1. Look over the violin very carefully, check the body for cracks.  Cracks are often costly to repair properly as the instrument will need to be taken apart by an experienced luthier to be done properly.  Some cracks are common and do not devalue the price of the instrument significantly if repaired properly, others can devalue the violin by half even if repaired.  The back cracks are any bass bar cracks, soundpost cracks on the back and top, any crack that connects to any payt of either f hole and of course any cracks around the neck area especially the button of the back plate.  Small scratches and scuffs do not usually devalue the violin as much but they will still need to be repaired which will cost a little so keep that in mind.

2. The way that a violin looks often affects how the player engages with the instrument.  The more beautiful it appears to the player the more likely the player is to actually play it.  A violin should be attractive to its prospective player this is especially true with beginners as much determination is made visually and there just needs to be a connection there. 

3. Check the fingerboard, it should be made of ebony and should be well glued to the neck, straight, smooth and have the correct projection height to the bridge.  An unglued, cracked or worn fingerboard may have to be repaired or replaced and this can cost from under one hundred dollars up to three or four hundred dollars depending on the quality and quantity of work that is necessary.

4. Check the bridge, it is placed correctly, is it straight or is it bending forward or backward.  Do the feet fit the top of the instrument, are the string notches spaced correctly and does it set the string height at a comfortable height from the fingerboard.  Bridges can be replaced quite easily by most any violin shop at a cost from fifty dollars up to three hundred pricy shops.  Check and make sure that the violin has a soundpost and that it is a good position.

5. Check the pegs, do they all appear to be of the same material and are they all the same basic size and shape?  Do they all turn smoothly or do they feel tight, loose or inconsistant when you turn them?  Are the shafts of the pegs very large or are they normal size.  Replacing pegs is a standard repair and prices will start at around $100 per set.  If the holes are too large or there are cracks in the peg box area then the cost can go up quickly for a proper repair.  When the hols become too large then a procedure such as bushing may be necessary and this can easily exceed $500 to repair and replace the damaged pegs. 

6. Is the violin clean or does it have old rosin powder all over it?  Cleaning of old rosin is difficult and should only be attempted by an experienced luthier as many of the cleaners of rosin will also remove varnish and this will definitely affect the value of the violin.  Most shops will clean old rosin for a minimal fee and know what chemicals to use in order to not hurt the varnish.

7. Play the violin, how does it sound to you, this is the most important part.  If you can’t play yet then ask someone that does to help you.  Listen carefully, does the sound speak to you? Do you like the voice as this is very likely the most critical aspect of  choosing a good violin as it is one that you will enjoy the sound of.

8. Check the strings, do they look new or are they old, thin and corroded or are they even older gut strings.  Strings are fairly inexpensive and should be replaced with a decent quality new set.  You can not judge the sound of the violin if the strings are old and worn out. A good set will start at around $20 and can go up to$150 for a professional set. 

9. Does the Violin come with a bow? The bow hair should be loose and the screw should turn easily. Sight down the bow with one eye, does it appear to be straight and does it have the correct amount of camber?  Check the head of the bow for cracks in the wood and in the tip plate (the white part that the hair goes into).  Check the frog is it missing pieces, have cracks or any issues.  Does the bow have leather and silver or whale bone winding? A bow can usually be re haired for a minimal charge but any other issues can be costly to restore.  If the bow is valuable or sentimental then it is worth doing, if not consider looking for a new one.

10. Does the violin and bow have a case? Does the violin and bow fit easily yet snugly into the case? Do all of the zippers, latches work? Does it have a sturdy handle and good straps and is it easy and safe to carry.  Cases are much like purses or luggage, do you want to be seen carrying it or is it shabby and cheap looking?

11. Does the violin, case or bow come with any old paperwork, receipts, appraisals or authentication papers?  Ask about any history of the violin, where it was purchased and for how much, where it was played, who owned it before the current owners.  All of this information will help you to determine its value and its age

12. Keep in mind you that cases can easily be replaced for not too much money.  Accessories such as chin rests, tailpieces and shoulder rests can also be replaced fairly often and will not cost that much either.  Never let the fancy pegs, case or fitting on the violin lure you away from the most important aspect which is the sound.

12 Things to Look For When Buying an Antique Violin Conclusion

While some of the above issues may be easily fixed and without too much expense. If the instrument or bow has many things needing repaired it  could add up to more hassle and cost than the instrument is worth. Of course you may well find a great antique, with no work needed, provided so you know what to look for. If you have already bought a second hand violin and it appears to be in good condition try fitting it with a quality set of strings. This is one quick and relatively cheap way of making an instant improvement to its sound and playability.

When considering the purchase of antique violin, it is wise to think through the above points. Know what you are prepared to take on and how much work and expense that you are willing to spare to bring the instrument up to a good playing standard. Always ask your local violin shop to review the instrument for necessary repairs if you are unfamiliar with the scope of work needed to make it a healthy playable instrument.   Many shops will do this evaluation at no charge.  You can also inquire about a verbal appraisal to help you determine the value of the instrument.  Knowing the value and repair charges can help you determine if this old violin is right for you.  While you are there play some of the instruments in that price range to help find what else may be available within a similar price range. You may also be interested in knowing when to upgrade your violin at the right time!

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